Titlebook: Elizabeth Bowen; A Literary Life Patricia Laurence Book 2021Latest edition The Editor(s) (if applicable) and The Author(s), under exclusive

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Book 2021Latest editionon about national identity and gender roles were dispelled through her writing. Her vivid fiction, often about girls and women, is laced with irony about smooth social surfaces rent by disruptive emotion, the sadness of beleaguered adolescents, the occurrence of cultural dislocation, historical atmo

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2946-2037 fiction, often about girls and women, is laced with irony about smooth social surfaces rent by disruptive emotion, the sadness of beleaguered adolescents, the occurrence of cultural dislocation, historical atmo978-3-030-71359-1978-3-030-71360-7Series ISSN 2946-2037 Series E-ISSN 2946-2045

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Mere仅仅

,Change (1899–1925),ingly grounded in prominent ascendancy families and traditions—the “mad” Bowens and the “sane” Colleys, described here—she has early feelings of dislocation. Moving from homes in Chichester to Folkstone to Sandgate to Hythe—she has an itinerant education, develops a stammer, and suffers her mother’s

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Terrains of the Imagination,ersonality and became terrains of her imagination. Bowen’s Court, the family estate with its rituals and conventions, is focused upon as a centerpiece of her emotional life, and the house, her experiences there, its sale, and its demise are described. Her travel away from Ireland to the more carefre

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,Outsiders (1925–1935),nd relationships. After a year in art school in London, she begins writing, marries Alan Cameron, an educational administrator, and publishes a collection of short stories, ., and her first novel, .. Living in Oxford, she meets an impressive group of left-wing intellectuals and writers in the Oxford

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Love and Lovers, with its new sexual freedoms is a devastating and absorbing emotion for her female characters—though not necessarily the men. Cameos of her marriage and relationships with lovers—male and female, intellectuals and writers—are spotlighted: Humphry House, Goronwy Rees, Sean O’Faolain, May Sarton, and

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