Titlebook: Electoral Politics in Zimbabwe, Vol II; The 2023 Election an Esther Mavengano,Sophia Chirongoma Book 2023 The Editor(s) (if applicable) and

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Melancholia and Polysemanticism in Winky D’s Sonic Retentions: Subverting Expressive Barricades and ‘Ibotso’ in 2023. The selected songs are prisms through which this chapter contends that the artists do not only articulate existential precarity of the common citizens in Zimbabwe’s ‘Ghetto’ space but also offer modes of resistance by speaking truth to power in the context of 2023 electoral politic

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The Morbidity of Zimbabwe’s Transformational Politics: Hope or Doom in the Post-coup Era?son Mnangagwa on one side and those by Nelson Chamisa on the other. Of particular focus in this chapter is an argument that both Mnangagwa and Chamisa have opted for populist politics that conceal certain morbidities that expose Zimbabwean politics as elitist but neither people centred nor nationali

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The Effectiveness of Social Media in Mitigating Unfair Mainstream Media Electoral Coverage in Zimbab considerable challenges, chief among them being poor governance, cracking down on dissent and the economic degradation that has seen the country being reduced from a breadbasket of Southern Africa to a basket case status. In spite of the resultant discontent that has become typical of the majority,

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Book 2023l, particularly because for more than two decades now, this Southern African state has been dogged by multiple problems including hyperinflation, drought, escalating poverty levels, extremely high unemployment rates and political instabilities. The volume’s overall goal is to ignite intellectual dis

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lleges, universities and organizations in Zimbabwe, the Sout.Volume two of .Electoral Politics in Zimbabwe: The 2023 Election and Beyond. argues that research into Zimbabwe’s politics is multifaceted and topical, particularly because for more than two decades now, this Southern African state has bee

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Music, Deceit, and Representation of Political Actors: Navigating the Connection of Chief Hwenje’s Snsolidate their power in the Zimbabwean political arena. The use of propaganda in Chief Hwenje’s music is inflaming the conflict between the Citizens Coalition for Change (CCC) and ZANU PF in the country. Musicians should, therefore, use their creativity to promote peace and unity instead of inflaming conflict.

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