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Titlebook: Editors Construct the Renaissance Canon, 1825-1915; Paul Salzman Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Shakespear

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发表于 2025-3-21 17:33:54 | 显示全部楼层 |阅读模式
书目名称Editors Construct the Renaissance Canon, 1825-1915
编辑Paul Salzman
视频video
概述Fills a traditional gap in accounts of Renaissance canon formation in the nineteenth century.Features an account of Grosart that will prove a signal contribution to the discipline.Sheds renewed light
丛书名称Early Modern Literature in History
图书封面Titlebook: Editors Construct the Renaissance Canon, 1825-1915;  Paul Salzman Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Shakespear
描述This book argues that nineteenth-century editors created the modern idea of English Renaissance literature. The book analyses the theories and practices of editors who worked on Shakespeare, but also on complete editions of a remarkable range of early modern writers, from the early nineteenth century through to the early twentieth century. It reassesses the point at which purportedly more scientific theories of editing began the process of obscuring the work of these earlier editors. In recreating this largely ignored history, this book also addresses the current interest in the theory and practice of editing as it relates to new approaches to early modern writing, and to literary and book history, and the material conditions of the transmission of texts. Through a series of case studies, the book explores the way individual editors dealt with Renaissance literature and with changing ideas of how texts and their contexts might be represented. 
出版日期Book 2018
关键词Shakespeare; Reception history; Grosart; Nineteenth century; Canon formation; Early modern literature; Bri
版次1
doihttps://doi.org/10.1007/978-3-319-77902-7
isbn_softcover978-3-030-08569-8
isbn_ebook978-3-319-77902-7Series ISSN 2634-5919 Series E-ISSN 2634-5927
issn_series 2634-5919
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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Book 2018es of editors who worked on Shakespeare, but also on complete editions of a remarkable range of early modern writers, from the early nineteenth century through to the early twentieth century. It reassesses the point at which purportedly more scientific theories of editing began the process of obscur
发表于 2025-3-22 18:53:58 | 显示全部楼层
2634-5919 a signal contribution to the discipline.Sheds renewed light This book argues that nineteenth-century editors created the modern idea of English Renaissance literature. The book analyses the theories and practices of editors who worked on Shakespeare, but also on complete editions of a remarkable ran
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Cristina D’Alessandro,Frannie Léautiern, which was the most authoritative for over one hundred years. Dyce’s work has been almost entirely overlooked and this chapter places him at the centre of an eclectic and inclusive approach to editing.
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