Titlebook: Economies of Scale; Financialization and Ann Keniston Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license to

杂色

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Jocose

https://doi.org/10.1007/978-1-349-22696-2anagement,” it traces the ways that the relation between currency and art has changed over the past fifty years. It also offers a reading of a poem by Myung-Mi Kim that links financialization with globalization, scale, synecdoche, and prosopopeia in ways central to the book.

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Book 2023about economics not only discuss but enact concerns with containment and agency essential to the contemporary financialized economy by manipulating the seemingly old-fashioned figures of synecdoche (the representation of the whole by the part) and prosopopeia or personification. Its four body chapte

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刚毅

,“[A] fictive person / around whom the air is blurred with money”: Precarious Labor and the Work of ecdoche, and prosopopeia in Christian Bök’s . and Jill Magi’s ., with an emphasis on the link between synecdoche and prosopopeia. A brief discussion of an excerpt from Timothy Donnelly’s poem-in-parts “The Cloud Corporation” depicts the seemingly infinitely expansive, ebullient, and future-oriented

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军火

,“[A]n arrangement of figures on an open field”: Death, Displacement, and Unrepayable Debts, in the first two chapters to debt, especially the bundled debt central to financialization. The chapter begins by considering Susan Wheeler’s “The Debtor in the Convex Mirror,” which links debt to acts of mirroring, distortion, and substitution, as well as to precursor texts. As Wheeler links finan