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Titlebook: Economies of Scale; Financialization and Ann Keniston Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license to

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发表于 2025-3-21 17:24:36 | 显示全部楼层 |阅读模式
书目名称Economies of Scale
副标题Financialization and
编辑Ann Keniston
视频video
概述Extends research on contemporary poetry and economics to examine twenty-first century North American poetry.Examines the socio-political underpinnings of contemporary cultural production.Draws on econ
丛书名称Palgrave Studies in Literature, Culture and Economics
图书封面Titlebook: Economies of Scale; Financialization and Ann Keniston Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license to
描述.This book offers the first sustained study of the ways 21.st .century North American poems engage with financialization. It argues that recent poems about economics not only discuss but enact concerns with containment and agency essential to the contemporary financialized economy by manipulating the seemingly old-fashioned figures of synecdoche (the representation of the whole by the part) and prosopopeia or personification. Its four body chapters offer in-depth readings of the work of eleven formally, culturally, and thematically diverse contemporary U.S. and Canadian poets who variously consider labor, consumerism, debt, and the derivative form; the Coda reads several recent poems about reparations in terms of an emerging tendency to emphasize the historical, racialized, and ethical contexts of contemporary economics. As the book explores financialization’s representation in recent poetry, it redresses arguments that poetry is irrelevant to contemporary culture..
出版日期Book 2023
关键词Literature and Economics; poetry; economics; economic humanities; synecdoche; creative economy
版次1
doihttps://doi.org/10.1007/978-3-031-39341-9
isbn_ebook978-3-031-39341-9Series ISSN 2946-5397 Series E-ISSN 2946-5400
issn_series 2946-5397
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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发表于 2025-3-21 21:55:04 | 显示全部楼层
,“[A] fictive person / around whom the air is blurred with money”: Precarious Labor and the Work of artistic creation in ways that transform the precarity, or even the deanimation, of its creator into something necessary, partly by binding automation to autonomy. What is ultimately brought to life in these volumes is language, though it can’t help gesturing at its inanimate origin.
发表于 2025-3-22 00:38:51 | 显示全部楼层
,“Miss Thing”: Prosopopeia, Aliveness, and the Female Consumer,isons and objectifies women by pretending to set them free, but both also resist confinement using several strategies, including puns that subvert dominant power structures in Mullen’s volume and occasional acknowledgments in Ruefle’s of the plight of the workers who provide her poem’s speaker with
发表于 2025-3-22 07:48:13 | 显示全部楼层
发表于 2025-3-22 12:20:46 | 显示全部楼层
Book 2023hasize the historical, racialized, and ethical contexts of contemporary economics. As the book explores financialization’s representation in recent poetry, it redresses arguments that poetry is irrelevant to contemporary culture..
发表于 2025-3-22 13:03:23 | 显示全部楼层
发表于 2025-3-22 20:22:41 | 显示全部楼层
Thomaz Wood Jr.,Ana Paula Paes de Paulaisons and objectifies women by pretending to set them free, but both also resist confinement using several strategies, including puns that subvert dominant power structures in Mullen’s volume and occasional acknowledgments in Ruefle’s of the plight of the workers who provide her poem’s speaker with
发表于 2025-3-22 21:33:11 | 显示全部楼层
Barings: The Crashing of a Venerable Bank,l repayment. Rather than bring the dead back to life, or even restore them to wholeness, both volumes depict scenes of displacement, translation, and transposition that emphasize the poem’s (figurative) aliveness while paradoxically embracing indebtedness.
发表于 2025-3-23 05:07:44 | 显示全部楼层
发表于 2025-3-23 07:05:51 | 显示全部楼层
Hubert Österle,Claudia Brenner,Thomas Hessmble about the future. Both volumes, I argue, engage in negative bets that attempt to profit from the book’s future obsolescence. Paradoxically, by evoking their authors’ handiwork, both summon up their future readers.
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