Titlebook: Ecodocumentaries; Critical Essays Rayson K. Alex,S. Susan Deborah Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Ecocritici

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, Modernity and Making Sense of the Crisis in Nature cuts an arc across the common denominations of progress in different parts of the world. This chapter argues that modernity is the cornerstone upon which this particular idea of progress took shape and examines the variant themes of . as well as analysing the medium and the message of the documenta

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,Erfinderzeiten, Erfinderdomänen,ves is the challenge they pose to the rigid hierarchies of their established counterparts. The Western acknowledgement of the ecologies of the Global South is a welcome initiative as it challenges Eurocentric hierarchies. Scott Slovic, Swarnalatha Rangarajan, and Vidya Sarveswaran, in their “Introdu

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https://doi.org/10.1007/978-3-319-00849-3 attempt to elucidate a theory of garbage animal and theorise a genre of garbage animal documentary as a form of redemption. I particularly focus on Kunal Vohra’s documentary ., which discusses the way India’s modernisation has affected their sacred cow. Terms such as “the plastic cow” in India or “

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Preparati di aloe: studi preclinici, will also explore how “kalam”―the unique ritual art of Kerala―is an example of embedded ecology which recognises the non-divisiveness between the phenomenal world and the perceiver by exploring how the documentary characterises the multiple ways in which culture enframes and reveals the complex rel

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,Zusammenfassung und Schlußfolgerungen,o cinema, it considers how a postcolonial Indian filmmaker uses animation to mediate socio-environmental injustices that are not spectacular but instead accumulate over long periods of time. In illuminating .’.’s dark and discordant mode of animation, I also suggest that such postcolonial cinema exp

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