Titlebook: Early Modern Drama and the Bible; Contexts and Reading Adrian Streete (Senior Lecturer in Renaissance Lit Book 2012 Palgrave Macmillan, a d

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Introduction: Situating the Bible in Early Modern Dramaollowers with these words:.For an English audience watching the play during the late 1580s, these lines would have evoked a mixed response. On the one hand, the anti-Islamic sentiment displayed so openly here reflects broader cultural fears of the military and religious threat posed by the Ottoman Empire.

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Punishing Perjury in t the moment of his admission of guilt. When his co-offender, Dumaine, enters the scene a moment later, he unwittingly invokes the image once again: ‘O would the King, Berowne and Longaville / Were lovers too! Ill, to example ill / Would from my forehead wipe a perjured note’ (4.3.120–2).

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2634-5919 early modern stage. Exploring plays by writers such as Shakespeare, Marlowe, Middleton, and Webster, the contributors show how theatre offers a site of public and communal engagement with the Bible.978-1-349-33676-0978-0-230-35866-9Series ISSN 2634-5919 Series E-ISSN 2634-5927

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https://doi.org/10.1007/978-3-662-05544-1ollowers with these words:.For an English audience watching the play during the late 1580s, these lines would have evoked a mixed response. On the one hand, the anti-Islamic sentiment displayed so openly here reflects broader cultural fears of the military and religious threat posed by the Ottoman Empire.

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Enter the Book: Reading the Bible on the Early Modern Stagech an act might be. Reading the Bible as an . of drama – as an artefact of the material and spiritual cultures of early modern England – is our starting point. It is through the Book’s physical presence on the early modern stage that the performance of Biblereading – a performance rooted in question

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