Titlebook: Early Modern Drama and the Bible; Contexts and Reading Adrian Streete (Senior Lecturer in Renaissance Lit Book 2012 Palgrave Macmillan, a d

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Enter the Book: Reading the Bible on the Early Modern Stagesity. Scholarly speculation ranges from the satires of Juvenal to the . of Montaigne, while just as plausibly Hamlet could be ruminating on his own ‘tables’ (if, that is, the actor playing the Prince produces a notebook of some kind in the soliloquy of 1.5).. Yet, what if Hamlet were holding neither

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Measuring up to Nebuchadnezzar: Biblical Presences in Shakespeare’s Tragicomediesble remained the central cultural text in England, as in the rest of Europe, through the seventeenth century’ (Shuger, 1994, 2). But as soon as we go beyond those comfortable generalisations and try to ascertain closer details, questions and uncertainties abound. Which Bible were the early modern En

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‘They repented at the preachyng of Ionas: and beholde, a greater then Ionas is here’: ,, Hosea and ty for an act as Jewish’ (Mellinkoff, 1993, 1: 97). As this final phrase suggests, it was often used with anti-Semitic intent: inscribed, for example, on the clothes of the torturers or bystanders in paintings of the Passion in order to implicate Jews in the Crucifixion.. But in early modern art – in

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Marital Infidelity and Christian Self-Sacrifice in Thomas Heywood’s antiquity, dignity and ‘the true use of their quality’ (Heywood, 1841, xvii).. . operates not only as a defence of the acting profession, but as a celebration of drama as a valuable instrument of instruction and edification. Heywood argues that the unique power of live performance (when compared wi

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Reading the White Devil in Thomas Adams and John Websterl.. No doubt Adams was primarily referring to the ‘inflammations and impostumes’ of hypocrisy which, he claimed, assailed him as he entered London from the country (Adams, 1615a, 25). But it seems likely that Adams’s sermon was also being haunted by another more specific white devil. Less than a yea

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