Titlebook: Designerly Ways of Knowing and Thinking; Nigel Cross Book 2025Latest edition The Editor(s) (if applicable) and The Author(s), under exclus

Tailor

Creative Cognition in Design II: Co-evolution of Problem and Solution,st but realistic design task. The designers’ solution concepts were assessed by a panel of experienced educators for overall quality and for constituent aspects, including creativity. From the data, aspects of creativity in design are identified related to the formulation of the design problem and t

药物

Creative Cognition in Design III: Creative Strategies,gineering designer Victor Scheinman participated in a protocol study based on a small design task. The product designer Kenneth Grange and the Formula One racing car designer Gordon Murray provided interview studies covering their work. This chapter presents an example of each of these outstanding d

认为

欢乐中国

中和

Design as a Form of Intelligence,e in design research beginning around 1980, away from reforming design processes towards acknowledging the natural strengths of design thinking. The concept of design as a form of intelligence is based on Gardner’s ‘theory of multiple intelligences’. The premise of the concept is that there are suff

沉着

Designerly Thinking,siness innovation but also into a very diverse range of other fields. This development has led to some severe criticisms of what was being presented as ‘design thinking’. This chapter outlines the origins and early use of the concept of design thinking and goes on to address the criticisms of the ne

Interferons

n research and design education are contributing to the development of design as a discipline. This emerging view that ‘there are designerly ways of knowing’ could form an axiomatic ‘touch-stone theory’ for research within design as a discipline.

Incorporate

Facilities

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