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Titlebook: Dante and the Sciences of the Human; Medicine, Physics, a Matteo Pace Book 2024 The Editor(s) (if applicable) and The Author(s), under excl

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,When the Ocean Towered Above the Earth: Dante’s , in Context,on this trend, this chapter focuses on the largely misunderstood doctrine the author of the . intends to refute: namely, that the surface of the sphere of water would be in part of its circumference higher than the sphere of earth. This theory has always been dismissed as an absurd construct, that d
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Passion and Passionless Love in Dante: From , 3 to the ,non of Aristotelian natural science, Dante defines love as ., subject to generation and corruption and accompanied by bodily alteration. As an Augustinian spiritual reality, love produces the joy, satisfaction, and union of the will with its highest Good, with God. This question—whether love is seat
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Anatomy of Florence: Illness and Body Politics in the ,flaws affecting the city as a polity. Medical allegories of the body politic are relatively common in scholastic literature. They ultimately stem from Plato, Aristotle, and the vast Greek-Arabic and Latin tradition of their interpreters. One example of this tradition over which I will briefly linger
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Neither O nor I: The Handiwork of ,24 and 25,ed in this Bolgia is covert, and its contrapasso is a continual negation of the human body and being. As has long-been observed, the figure of writing is central to these cantos, and commentators have posed many theories as to the ways theft and writing are linked in Dante’s mind. What has not been
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Disabled Bodies and Female Souls: From Dante to Marinella,retation of the genealogy of body and soul. I reread the influence of Dante’s own scientific thought on the body/soul problem, and particularly the challenge that bodies with physical differences represent, in light of the Renaissance.. I argue that, for Dante, physical “.” and “.” can be blameless 
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Speaking Like a Philosopher: Dante and Renaissance Treatises on Love,e love poet par excellence. Dante, on the other hand, despite having written extensively on the topic, seemed to occupy a marginal role in Renaissance love treatises. Indeed, only a few sections from the . appear to have been included with some regularity in writings on love. This chapter explores t
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