Titlebook: Dante and the Sciences of the Human; Medicine, Physics, a Matteo Pace Book 2024 The Editor(s) (if applicable) and The Author(s), under excl

Innocence

Book 2024chapters address how Dante shaped an understanding of the human body and mind, his relationship with medical and scientific thought in his literary and philosophical production, and his legacy which continued into the following centuries. Each chapter questions Dante’s contribution to these issues f

Cupping

suggests that the author of the . ignored or failed to grasp crucial aspects of the theory he set out to disprove and that he might have been unfamiliar with some of the most significant literature on the topic.

LVAD360

ndiscussed by previous scholarship, the Florentine . and . of Petrus Trabibus (who held the lectureship at the . at Santa Croce during the years of Dante’s intellectual formation) illustrate the contemporaneity of the debate on the passions and indicate how Aristotle and Augustine were evoked as authorities in Dante’s milieu.

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银版照相

fic treatment of disabled bodies, such as the deaf, as separate from defective or evil souls, illuminates categorizations and valorizations of bodies who are able or impeded in their pursuit of . and knowledge of God.

relieve

,When the Ocean Towered Above the Earth: Dante’s , in Context, suggests that the author of the . ignored or failed to grasp crucial aspects of the theory he set out to disprove and that he might have been unfamiliar with some of the most significant literature on the topic.

Inclement

Passion and Passionless Love in Dante: From , 3 to the ,ndiscussed by previous scholarship, the Florentine . and . of Petrus Trabibus (who held the lectureship at the . at Santa Croce during the years of Dante’s intellectual formation) illustrate the contemporaneity of the debate on the passions and indicate how Aristotle and Augustine were evoked as authorities in Dante’s milieu.

雇佣兵

Neither O nor I: The Handiwork of ,24 and 25,on-a-page change their identities may add to our understanding of Dante’s critique of the shifty transformations at the core of theft and of writing. Both acts are about making marks, or not—creating .that count or . that leave us empty—and both prompt us to think about as much about the handiwork of a poet as the slight-of-hand of a thief.

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