Titlebook: Doris Lessing’s The Golden Notebook After Fifty; Alice Ridout (Assistant Professor),Roberta Rubenst Book 2015 Alice Ridout, Roberta Rubens

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https://doi.org/10.1007/978-88-470-0542-6r Nuclear Disarmament (CND) in 1957 and participated in the famous first Aldermaston March of 1958 (and several of the subsequent annual marches), an event she later recounted in . (1969).. But, according to her autobiography ., after she was spuriously conscripted into the Committee of a Hundred, t

CHAFE

https://doi.org/10.1007/978-88-470-0542-6 and mode. There are not only the five notebooks kept by Anna Wulf and the manuscript of her new novel, Free Women, which frames them, but these inner texts are themselves filled with recounted stories, fictional scenarios, memory exercises, and literary parodies. At the experimental edge of this ra

公理

https://doi.org/10.1007/978-88-470-0542-6fractured aesthetic of the novel seemed to some too narrowly focused on personal issues among women rather than on wider social concerns of interest to the Left in its time, which could arguably be captured through realistic representation. Through the complex portrayal of two independently minded s

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https://doi.org/10.1007/978-88-470-0542-6of the truth.”. She acknowledged that her early fiction contains many autobiographical elements, particularly as reflected in the experiences of her first narrative alter ego, Martha Quest, in the five-volume series ., as well as elsewhere in her novels and shorter fiction. Admitting that she “mined

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Come Contare I Granelli di Sabbias Lessing’s . series. In 1966, I spent a long afternoon with Lessing at her home. Our conversation, mostly tape-recorded, has been used by innumerable doctoral candidates, and in part has also been published. Since then, I corresponded with Doris, saw her twice more, and sent her copies of all the A