Titlebook: Doris Lessing’s The Golden Notebook After Fifty; Alice Ridout (Assistant Professor),Roberta Rubenst Book 2015 Alice Ridout, Roberta Rubens

摇曳

Gli Astronomi Dovrebbero Guardare il Cielo? not a book solely about female experience; it was seamed through with the understanding that politics is fundamental, that individuals whether male or female are coursed through by the shared hopes and fears of their lived historical moment—but also that they live that moment differently from each other.

arboretum

Disguised Autobiography, and know where they come from.”. The third and fourth volumes of ., titled . (1958) and . (1965) and based on her involvement with Marxist socialism and communism in southern Africa in 1943–44, are, according to Lessing, the most “directly autobiographical” of all of her fiction, after which, she claimed, she “left autobiography behind” (. 267, 298).

TEN

: First Impact and Revisionary Reading not a book solely about female experience; it was seamed through with the understanding that politics is fundamental, that individuals whether male or female are coursed through by the shared hopes and fears of their lived historical moment—but also that they live that moment differently from each other.

Delectable

microscopic

“Across the Frontiers”: Reading Africa in it for the last twenty-five years—which I attribute to being an Africanist—it is my turn to tell a complicated story of my own reluctant engagement with Lessing’s .. In fact, the first Lessing book I read was .; it was also the first properly African book I read—notwithstanding David Livingstone’s .

动机

FIS

“Through That Gap the Future Might Pour”: Dreaming the Post-Cold War World in and mode. There are not only the five notebooks kept by Anna Wulf and the manuscript of her new novel, Free Women, which frames them, but these inner texts are themselves filled with recounted stories, fictional scenarios, memory exercises, and literary parodies. At the experimental edge of this ra

moratorium

马笼头

Disguised Autobiography, and of the truth.”. She acknowledged that her early fiction contains many autobiographical elements, particularly as reflected in the experiences of her first narrative alter ego, Martha Quest, in the five-volume series ., as well as elsewhere in her novels and shorter fiction. Admitting that she “mined

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