Titlebook: Documenting Trauma in Comics; Traumatic Pasts, Emb Dominic Davies,Candida Rifkind Book 2020 The Editor(s) (if applicable) and The Author(s)

laparoscopy

Thyroiditis

Finland: Maintaining the Fragile Consensusured the violence accompanying the partition of the Indian subcontinent. We argue how these narratives, in their collaborative authoring and through their textual and aesthetic strategies, defy artificial borders to create a new collective memory culture, one that seeks to confront and thus to heal

Thrombolysis

LATER

overrule

Multimodal Imaging with NIR Lightthree key paintings within the cycle, and in particular their representations of open windows, this chapter argues that . is a complex, kaleidoscopic rendering of multiple graphic life stories, which can be opened up and better understood through the vocabulary of comics criticism. By focusing on th

不规则的跳动

Transparency in Insurance Contract Lawo late 1970s. The chapter considers Una’s formal and graphic strategies to work through her personal experience of sexual trauma alongside her exploration of the ‘Ripper’ murders, which she witnessed first-hand when growing up in Leeds. . critiques the regimes of visuality that have framed the victi

商谈

Orchiectomy

‘To Create Her World Anew’: Charlotte Salomon’s Graphic Life Narrativee spaces between pages—the gutter—this chapter exposes how these are vital, generative gaps charged with meaning. In so doing it challenges reductive, biographical readings of Salomon’s life and work, insisting that . is a visual and textual representation of many life narratives, taking on the shapeshifting form of an epic, reiterative cycle.

Systemic

头脑冷静

https://doi.org/10.1007/978-3-030-55773-7y deindustrialisation and the second a group of migrant women who have come to the UK from Bangladesh. While the experiences of these groups differ in many ways, both projects used aspects of comics creation to produce graphic narratives that in some way represent traumatic or unsettling events that have had an impact on participants’ lives.