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Titlebook: Documenting Trauma in Comics; Traumatic Pasts, Emb Dominic Davies,Candida Rifkind Book 2020 The Editor(s) (if applicable) and The Author(s)

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书目名称Documenting Trauma in Comics
副标题Traumatic Pasts, Emb
编辑Dominic Davies,Candida Rifkind
视频video
概述Pairs comics criticism with a series of comics themselves, not only as artistic works, but as visual reflections on and engagement with the thematic concerns of the book.Emphasizes the connections bet
丛书名称Palgrave Studies in Comics and Graphic Novels
图书封面Titlebook: Documenting Trauma in Comics; Traumatic Pasts, Emb Dominic Davies,Candida Rifkind Book 2020 The Editor(s) (if applicable) and The Author(s)
描述.Why are so many contemporary comics and graphic narratives written as memoirs or documentaries of traumatic events? Is there a specific relationship between the comics form and the documentation and reportage of trauma? How do the interpretive demands made on comics readers shape their relationships with traumatic events? And how does comics’ documentation of traumatic pasts operate across national borders and in different cultural, political, and politicised contexts? .The sixteen chapters and three comics included in .Documenting Trauma in Comics .set out to answer exactly these questions. Drawing on a range of historically and geographically expansive examples, the contributors bring their different perspectives to bear on the tangled and often fraught intersections between trauma studies, comics studies, and theories of documentary practices and processes. The result is a collection that shows how comics is not simply related to trauma, but a generativeforce that has become central to its remembrance, documentation, and study..                .
出版日期Book 2020
关键词graphic reportage of trauma; trauma and memory in comics; graphic memoir; graphic documentary; global co
版次1
doihttps://doi.org/10.1007/978-3-030-37998-8
isbn_softcover978-3-030-38000-7
isbn_ebook978-3-030-37998-8Series ISSN 2634-6370 Series E-ISSN 2634-6389
issn_series 2634-6370
copyrightThe Editor(s) (if applicable) and The Author(s) 2020
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Documenting Trauma in Comics978-3-030-37998-8Series ISSN 2634-6370 Series E-ISSN 2634-6389
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978-3-030-38000-7The Editor(s) (if applicable) and The Author(s) 2020
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Nonoperative Correction of Foot Deformitiesky’ concept that troubles disciplinary boundaries, before suggesting that comics such as Art Spiegelman’s . (1980–1991) have played a significant role in the active .—rather than simply reflection or reification—of cultural and academic conceptions of trauma. It then turns to a critical overview of
发表于 2025-3-22 18:43:14 | 显示全部楼层
Yuichiro Onishi,Fumiko Sakashitacalled a trauma aesthetic, a set of recognizable tropes in widespread use in trauma narratives. This chapter examines the adoption of this aesthetic in graphic narratives, focusing on the special capacities of the form. Familiar tropes, such as dissociation and the somatic trace, are presented in co
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Yuichiro Onishi,Fumiko Sakashitatory. Recently, several German-language graphic novels and comics have been published which explore the Third Reich and the Second World War from the perspective of those who experienced it first-hand: ordinary citizens, war children, Hitler Youth members, soldiers, and civilians. Such works, which
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Yuichiro Onishi,Fumiko Sakashita back to slavery, with a clear flashpoint around the Haitian Revolution (1791–1804) when the island and its people won their independence from the French. This marks the zombie as a traumatic, racialized body. Haiti again played a prominent part in the American cultural consciousness following its m
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https://doi.org/10.1007/978-3-030-55773-7rical senses. For Gordon, social ghosts are ‘haunting reminders of lingering trouble’ that notify us that ‘what’s been concealed is very much alive and present’ (.. Minnesota: University of Minnesota Press, 1997: xvi). This chapter draws on findings from two projects informed by the notion of social
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