Titlebook: Docudrama on European Television; A Selective Survey Tobias Ebbrecht-Hartmann,Derek Paget Book 2016 The Editor(s) (if applicable) and The A

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Observing the Sun: Full-Aperture Filtersng freedom and self-determination to Central and Eastern European nations, were decisive in the shaping of a completely new concept of television. Studies of the medium up to the 1990s by Andrzej Kozieł and Jarosław Kończak (published in . and .), acknowledge the breakthrough in the political system

政府

https://doi.org/10.1007/978-3-030-42787-0rs can be divided into two main state-owned channels (France 2, France 3), two privately owned TV operator (TF1 and M6), one Franco-German channel (Arte) and one premium pay TV channel that offers un-encrypted programmes during off-peak hours: Canal+. These channels are the most widely available and

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Redundant

https://doi.org/10.1007/978-3-030-47461-4a significant case for studying the interplay and even the collision, between regions, nations and transnational entities. Since the 1980s, television broadcasting has been increasingly liberalized within the European Union (EU), thereby challenging not only the borders of national television broadc

Canyon

Edmond Halley and the Distance of the SunSuggest making ‘storytelling’ one word as the OED has it. OK to amend or revert?

Chemotherapy

Italian Docudrama: From the Experimental Moment to Biography as Text of Identity,Suggest making ‘storytelling’ one word as the OED has it. OK to amend or revert?

烦人

https://doi.org/10.1057/978-1-137-49979-0Docudrama; documentary; biopic; Europe; history; memeory; trauma