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Titlebook: Docudrama on European Television; A Selective Survey Tobias Ebbrecht-Hartmann,Derek Paget Book 2016 The Editor(s) (if applicable) and The A

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发表于 2025-3-21 16:09:10 | 显示全部楼层 |阅读模式
书目名称Docudrama on European Television
副标题A Selective Survey
编辑Tobias Ebbrecht-Hartmann,Derek Paget
视频video
丛书名称Palgrave European Film and Media Studies
图书封面Titlebook: Docudrama on European Television; A Selective Survey Tobias Ebbrecht-Hartmann,Derek Paget Book 2016 The Editor(s) (if applicable) and The A
描述This book explores docudrama as a creative response to troubled times. With generic characteristics formed via traditions in theatre as well as film, and with claims to fact underscored by investigative journalism, television docudrama examines key events and personalities in unfolding national histories. Post-Fall of the Berlin Wall, docudrama has become a means for nations to work through traumatic experiences both within national borders and Europe-wide. In this regard, it is an important genre for television networks as they attempt to make sense of complex current events. These authors offer a template for further study and point towards ways in which European television cultures, beyond those discussed here, might be considered in the future..
出版日期Book 2016
关键词Docudrama; documentary; biopic; Europe; history; memeory; trauma
版次1
doihttps://doi.org/10.1057/978-1-137-49979-0
isbn_softcover978-1-349-69862-2
isbn_ebook978-1-137-49979-0Series ISSN 2634-615X Series E-ISSN 2634-6168
issn_series 2634-615X
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
The information of publication is updating

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German Docudrama: Aligning the Fragments and Accessing the Past,. In a public ceremony that could be interpreted as a symbolic re-enactment, around 8000 illuminated balloons marked the length of the former wall and were later released in a citywide commemoration, allowing them to rise in the night sky. This public event re-enacting the past in and for the presen
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Polish Docudrama: Finding a Balance Between Difficult and Easy Pleasures,ng freedom and self-determination to Central and Eastern European nations, were decisive in the shaping of a completely new concept of television. Studies of the medium up to the 1990s by Andrzej Kozieł and Jarosław Kończak (published in . and .), acknowledge the breakthrough in the political system
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Swedish Docudrama: In the Borderlands of Fact and Fiction,refore need to be set in perspective. This article is a first step in the process of mapping the development of Swedish docudrama, with a survey approach prioritised over detailed analysis. An initial overview of the docudrama discourse and research in Sweden over time is followed by a summary of th
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