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Titlebook: Disability Culture and Community Performance; Find a Strange and T Petra Kuppers Book 2011 Palgrave Macmillan, a division of Macmillan Publ

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Introductionorks. What does it mean to put ‘twisted’ and ‘strange’ together in a physically accessible dance class? On the ground around me are plenty of people who live in twisted bodies, to whom the twist is not strange, but a deeply familiar way of experiencing their bodies’ everyday frontality, location, or
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Introduction. We are in a workshop on physically integrated dance practice, that is, dance practice open to people with different forms of embodiment, including disability. The specific theme of this evening’s workshop is Shape, the shape our bodies can make. We have thrown ourselves into asymmetrical ones, hav
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Landscapinge change, to transform a space in the everyday life world, and to change that space’s mode of meaning production. Three performers went about creating a home for people who do not fit into a space, and do not fit together. The practices under discussion in this chapter attempt to make performance re
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Butohh a rhetorical voice from within this culture, disability culture is the difference between being alone, isolated, and individuated with a physical, cognitive, emotional, or sensory difference that in our society invites discrimination and reinforces that isolation – the difference between all that
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Epilogue feel and remember, and I try to assemble something out of exhaust gases and companionship, out of my feminism/embodiment/poetry performance workgroup meetings, out of my thoughts on embodied Here is my score for this epilogue, my instruction to myself: how can I link the experience of feminist prot
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