找回密码
 To register

QQ登录

只需一步,快速开始

扫一扫,访问微社区

Titlebook: Digital Theatre; The Making and Meani Nadja Masura Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Computer-generated.Audien

[复制链接]
楼主: eternal
发表于 2025-3-28 18:16:34 | 显示全部楼层
发表于 2025-3-28 19:26:17 | 显示全部楼层
发表于 2025-3-28 23:34:38 | 显示全部楼层
发表于 2025-3-29 05:57:04 | 显示全部楼层
发表于 2025-3-29 10:07:00 | 显示全部楼层
2947-5848 and expressive needs of today’s artists and audiences. It also examines how theatre roles such as director, actor, playwright, costumes, and set are altered, and how ideas of body, place, and community are expanded. .978-3-030-55630-3978-3-030-55628-0Series ISSN 2947-5848 Series E-ISSN 2947-5856
发表于 2025-3-29 11:54:51 | 显示全部楼层
发表于 2025-3-29 15:45:45 | 显示全部楼层
Scenographyl. This chapter focuses on the creation of imaged place and discusses how scenography is altered and made plastic by digital technology. This chapter features the fluid scenography via the 3-D animated projectionist sets of Mark Reaney (. and .); .-.; and . by the Builder’s Association.
 关于派博传思  派博传思旗下网站  友情链接
派博传思介绍 公司地理位置 论文服务流程 影响因子官网 SITEMAP 大讲堂 北京大学 Oxford Uni. Harvard Uni.
发展历史沿革 期刊点评 投稿经验总结 SCIENCEGARD IMPACTFACTOR 派博系数 清华大学 Yale Uni. Stanford Uni.
|Archiver|手机版|小黑屋| 派博传思国际 ( 京公网安备110108008328) GMT+8, 2025-5-11 00:23
Copyright © 2001-2015 派博传思   京公网安备110108008328 版权所有 All rights reserved
快速回复 返回顶部 返回列表