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Titlebook: Digital Theatre; The Making and Meani Nadja Masura Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Computer-generated.Audien

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发表于 2025-3-21 17:34:17 | 显示全部楼层 |阅读模式
书目名称Digital Theatre
副标题The Making and Meani
编辑Nadja Masura
视频video
概述Explores the ways in which Digital Theatre shapes and redefines traditional theatre expectations and roles.Asks why, rather than how, we want to try to tell stories using the technology available to u
丛书名称Palgrave Studies in Performance and Technology
图书封面Titlebook: Digital Theatre; The Making and Meani Nadja Masura Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Computer-generated.Audien
描述Digital Theatre is a rich and varied art form evolving between performing bodies gathered together in shared space and the ever-expanding flexible reach of the digital technology that shapes our world. This book explores live theatre performances which incorporate video projection, animation, motion capture and triggering, telematics and multisite performance, robotics, VR, and AR. Through examples from practitioners like George Coates, the Gertrude Stein Repertory Theatre, Troika Ranch, David Saltz, Mark Reaney, The Builder’s Association, and ArtGrid, a picture emerges of how and why digital technology can be used to effectively create theatre productions matching the storytelling and expressive needs of today’s artists and audiences. It also examines how theatre roles such as director, actor, playwright, costumes, and set are altered, and how ideas of body, place, and community are expanded. .
出版日期Book 2020
关键词Computer-generated; Audience; Collaboration; Hybrid; Production; Multimedia; Dramaturgy; Space; Scenography;
版次1
doihttps://doi.org/10.1007/978-3-030-55628-0
isbn_softcover978-3-030-55630-3
isbn_ebook978-3-030-55628-0Series ISSN 2947-5848 Series E-ISSN 2947-5856
issn_series 2947-5848
copyrightThe Editor(s) (if applicable) and The Author(s) 2020
The information of publication is updating

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发表于 2025-3-21 20:41:45 | 显示全部楼层
Ajita Rattani,Reza Derakhshani,Arun Rossl. This chapter focuses on the creation of imaged place and discusses how scenography is altered and made plastic by digital technology. This chapter features the fluid scenography via the 3-D animated projectionist sets of Mark Reaney (. and .); .-.; and . by the Builder’s Association.
发表于 2025-3-22 01:59:24 | 显示全部楼层
Introduction: Whose Selfie Citizenship?rtability will be covered in the discussion of Studio Z. The idea of transformation will be explored in works by England’s site-specific devisors the Talking Birds (.), as well as George Coates’ ., the 2006 staging of the ., and the author’s own work . which experimented with opening up the theatric
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发表于 2025-3-22 12:28:05 | 显示全部楼层
Inject/ed: Self(ie) Determination of actor and stage technician into one. We look at works by Troika Ranch including . and . (utilizing MidiDancer), and . by the Flying Karamozov Brothers (with wearable computers tracking movements), the University of Georgia’s . (where the body of the actor controls the animated scenery), and Mark
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发表于 2025-3-22 19:00:21 | 显示全部楼层
Literary Systems as Self-Organizing Systemsd audiences through my work with the online collaborative community, the Art Grid, and four years of ., in which we shared authorship and created a multiplicity of audiences and audience experiences. Then we will examine the prospect of digital dramaturgy through my work coordinating the Digital Per
发表于 2025-3-22 21:18:29 | 显示全部楼层
Literary Systems as Self-Organizing Systemsre becoming ever more accustomed to performativity, interactivity, and becoming a part of the show through their words and actions. No more is the director, author, or dramaturg a singular voice of authority; now the audience wants in on the act. We will investigate the multiplicities of authorship
发表于 2025-3-23 04:54:05 | 显示全部楼层
https://doi.org/10.1007/978-3-642-71004-9etween the actor’s body and theatre place. Terms like neo-Bakhtinian, differance, and image-body are used to unpack the various levels the performing human body mixing with technology to the point where the two meet and agency is reversed. Examples include: motion capture in University of Georgia’s
发表于 2025-3-23 06:11:10 | 显示全部楼层
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