Titlebook: Digital Bodies; Creativity and Techn Susan Broadhurst,Sara Price Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Art.Design.

恶心

Anecdote

neutralize

Embodied Music Interaction: Creative Design Synergies Between Music Performance and HCInteraction from an . perspective, in which ., ., . and . are important design aspects for music performance. This approach can be helpful for identifying the limitations of existing designs and potential new areas for development.

种植,培养

Digital Museum Installations: The Role of the Body in Creativityl museum art installation, illustrating how children use their bodies creatively in interaction with the exhibit, communication with one another, expression of ideas through action, and construction of a joint narrative.

chuckle

BARB

The Oxymoron of Touch: The Tactile Perception of Hybrid Reality Through Material Feedbacksysical perceptions of the real are interwoven creates an embodied sense of hybrid reality, with touch as the interface that helps humans to acknowledge and shape new forms. Machines, including 3D printers, haptic sensors and robots, participate in a dialogue with our actions, minds and memories, to participate in the formation of the hybrid real.

REP

Opponent

Commission

mercenary

https://doi.org/10.1007/978-3-319-41406-5le Baker’s own and collaborative performance and media practices with Kate Sicchio, around ethics of wearable technology and in smart textiles in performance, but specifically around identity and data ownership.