Titlebook: Digital Bodies; Creativity and Techn Susan Broadhurst,Sara Price Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Art.Design.

Inferior

https://doi.org/10.1007/978-3-642-13276-6me the conventionality of present-day thinking about temporal patterns by developing a kind of temporal utopia, termed .. The research challenges thought patterns regarding the temporal structure of contemporary, technology driven life.

fertilizer

Nicola Wolf-Kühn,Matthias Morfeldion. By creating material playgrounds for technological and human agency, the experiments described here aim to generate knowledge about the emotional self, critical reflection on human-machine relationships, and new imagined emotional relations resulting from the hybridity of humans and technology.

Accrue

Digital Performance and Creativityatre’. I would argue that the performances by means of their creative engagement can be seen as contemporary manifestations of this paradigm, providing their audiences with, in varying ways, multi-sensory and multi-layered experiences.

遗产

The Embodiment of Timeme the conventionality of present-day thinking about temporal patterns by developing a kind of temporal utopia, termed .. The research challenges thought patterns regarding the temporal structure of contemporary, technology driven life.

玷污

Machinising Humans and Humanising Machines: Emotional Relationships Mediated by Technology and Materion. By creating material playgrounds for technological and human agency, the experiments described here aim to generate knowledge about the emotional self, critical reflection on human-machine relationships, and new imagined emotional relations resulting from the hybridity of humans and technology.

cleaver

arrhythmic

付出

神秘

Hamid Abdollahi MD,Deborah Yu MDted in contemporary fashion practice? This chapter discusses the work of three emerging designers as a basis from which to explore whether changing digitally informed mindsets and a loss of material experience are bringing new fashion practices closer to Hunt’s vision, and what this might mean for fashion practitioners and industry.

BUMP

I. David Kaye MD,Peter G. Passias MDd anti-disciplinary approaches and tested in particular through experimental digital and physical making strategies. Arguing that a critical fashion practice is possible, this work shows how to disrupt and reconfigure the use of tools, techniques and technologies commonly used in fashion.