Titlebook: Dialogue and Technology: Art and Knowledge; Bo Göranzon (Mathematician and Researcher),Magnus Book 1991 Springer-Verlag Berlin Heidelberg

pantomime

A Dwelling-Place for Past and Living Voices, Passions and Charactersin splendid harmony without the use of squared paper, computer networks and other common means of communication. Actors learn about the theatre’s thousand years of experience and carry with them knowledge of the ancient practice of play-acting: how to reach truth by representation, how to communicat

色情

Ventilator

ADJ

The Essence of Dialoguerm is deliberately chosen here to signify a search for a certain quality in discourse, a quality not found in all conversations, some being nothing more than an exchange of empty words. A true dialogue does not persuade, delude or dumbfound another person, it is a process of finding something out to

黄油没有

The Dream of an Exact Languageake it unsuitable as a medium for expression and the communication of thought. Why did such questions arise? Russell et al. dreamed of a language which would serve as a mirror, reproducing and reflecting the eternal structure of Reality and Truth. Why was there this desire for an eternal language of

Contracture

Immunoglobulin

Theatricality and Technology: Pygmalion and the Myth of the Intelligent Machinely imitating. One way of considering the issue of the simulation of human behaviour is to look at the theatre. The theatre is both simulated and real because the actors have to convince the audience that they are real. The theatre has been exploring the representation and simulation of people’s beha

舔食

Humans and Automatonschner’s parallel between people and automatons to be positive and constructive, Florin sees it as helpless and constrained. While Hilton sees in Kleist a connection between Utopian dance and artificial intelligence, Florin focuses on the aspects of Kleist which do not permit a given conclusion or mo

Spirometry

圆锥体