Titlebook: Destabilizing the Hollywood Musical; Music, Masculinity a Kelly Kessler Book 2010 Palgrave Macmillan, a division of Macmillan Publishers Li

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industrial and stylistic circumstances transformed this once happy-go-lucky genre into one both fluid and cynical enough to embrace the likes of Rocky Horror and pave the way for Cannibal! and Moulin Rouge!.978-1-349-31149-1978-0-230-29055-6

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,Nothing Is Comin’ Up Roses: The Desertion of Narrative Utopia,ajor changes in the industry, filmmaking style, motion picture regulation, and the tumultuous American culture, a musical more reflective of social and cultural mores began to overtake the more idealistic version that had been popular through the previous decades. Despite a sprinkling of .s and .s (

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,The New Guard’s Musical Masculinity, setting types, storylines, and ideological goals, a genre cannot materialize. Only through the retelling of a similar story that hashes out social conflict through recognizable textual and visual patterns can a body of films emerge and come to be recognized as a genre. As the arcadian musical accom

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