Titlebook: Destabilizing the Hollywood Musical; Music, Masculinity a Kelly Kessler Book 2010 Palgrave Macmillan, a division of Macmillan Publishers Li

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https://doi.org/10.1007/978-3-319-20134-4ajor changes in the industry, filmmaking style, motion picture regulation, and the tumultuous American culture, a musical more reflective of social and cultural mores began to overtake the more idealistic version that had been popular through the previous decades. Despite a sprinkling of .s and .s (

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Science and Opinion as Understood in MS 27f social conflict of the sixties and seventies and artistically reminiscent of shifts occurring both within the entertainment industries and motion picture style itself. The mixture of narrative darkness, egocentrism, and ambiguity prevalent in these integrated movie musical products of the late six

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Adjuvant Therapy of Gallbladder Cancerproduct. The presence of the genre post-1950s, while perhaps not as evident through capital gains or the sheer number of films produced, cannot be denied. Not as dead in the seventies and eighties as often claimed, the musicals of the 1966–1983 period illustrate an exciting innovation in the genre.

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978-1-349-31149-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2010

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industrial and stylistic circumstances transformed this once happy-go-lucky genre into one both fluid and cynical enough to embrace the likes of Rocky Horror and pave the way for Cannibal! and Moulin Rouge!.978-1-349-31149-1978-0-230-29055-6