Titlebook: Designing the Music Business; Design Culture, Musi Guy Morrow Book 2020 Springer Nature Switzerland AG 2020 Music Business.Popular Music.Gr

性冷淡

Gabler Kompakt-Lexikon Werbepraxiserest in the music business and its future. These questions are designed to outline why I use design culture theory rather than other options: Why design culture and not branding? How does design culture relate to organisational culture in the music business? How does design culture relate to deal m

招惹

Arbitrary

Gabler Kompakt-Lexikon Werbepraxis The Cure, Sex Pistols, The Rolling Stones, Kanye West, the Yeah Yeah Yeahs and others, I conduct case studies of contemporary British band Bear’s Den’s approach to album cover design and Australian singer–songwriter Dustin Tebbutt’s work with Jefferton James. I argue that album covers are often the

很像弓]

Gabler Kompakt-Lexikon Werbepraxise designed for a specific show or tour, with the design concept often being independent from the primary design culture surrounding the music. The second type involves gig and tour posters that form a part of the overall design aesthetic of a musical project, often because they are derivative of the

财产

新娘

Gabler Kompakt-Lexikon Werbepraxis a YouTube viewership in the billions and as such is an outlier in the field, this chapter examines YouTube’s role in the music business ecology. Following this, through a case study of Sydney-based musician and videographer Sean Walker’s project Breathe, this chapter examines the implications for t

Inveterate

Gabler Kompakt-Lexikon Werbepraxis collaboration with visual artist Stanley Donwood. This case study is useful for understanding how visual design symbolically ties together Radiohead’s organisation, and the design objects and experiences this organisation creates, which showcases how design culture is a form of organisational cultu

irreducible

Gabler Kompakt-Lexikon WerbepraxisVR album . (Björk .). A case study of Florida-based company Magic Leap’s work with Icelandic band Sigur Rós is also provided. Sigur Rós (.) and Magic Leap collaborated to develop an interactive music and mixed reality experience called . This chapter then traces the declining cost of XR production a

极小量

Designing the Music Business978-3-030-48114-8Series ISSN 2522-0829 Series E-ISSN 2522-0837

不满分子

Gabler Kompakt-Lexikon Werbepraxiserest in the music business and its future. These questions are designed to outline why I use design culture theory rather than other options: Why design culture and not branding? How does design culture relate to organisational culture in the music business? How does design culture relate to deal making in the music business?