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Titlebook: Decadence in the Late Novels of Henry James; Anna Kventsel Book 2007 Palgrave Macmillan, a division of Macmillan Publishers Limited 2007 c

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Afterword,lectic, while seeking to configure their own poetics of fiction. The ‘elasticity’ of novelistic form is viewed against the fixed form of Aristotelian tragic drama; novelistic form is represented as an extension of tragic vision beyond itself, into what may be thought of as the encompassing vision of romance.
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rpus and central aspects of a rich and fraught cultural moment. Through a close examination of the textures of the novels, Kventsel defines and explores their psycho-cultural field of meaning.978-1-349-28387-3978-0-230-20637-3
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Dritte Legislaturperiode 1998 bis 2002, subject and object — in order to grapple with a psycho-cultural impasse. Jamesian decadence is seen, in this light, as the expression of an impulse toward dissolving rigidified polarities; this impulse reflects a current of morbid anxiety, but also fosters emergent modes of psychocultural regeneration.
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Fünfte Legislaturperiode 2006 bis 2011ght’ (Preface, 39). To live all one can, or to live while one might; in its context, the juxtaposition suggests, among other things, that a zest for life is no more to be taken for granted than longevity, and, further, that there is a sense in which the two may be exclusive of each other.
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https://doi.org/10.1007/978-3-663-06744-3lectic, while seeking to configure their own poetics of fiction. The ‘elasticity’ of novelistic form is viewed against the fixed form of Aristotelian tragic drama; novelistic form is represented as an extension of tragic vision beyond itself, into what may be thought of as the encompassing vision of romance.
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