Titlebook: Dante and the Mediterranean Comedy; From Muslim Spain to Andrea Celli Book 2022 The Editor(s) (if applicable) and The Author(s), under excl

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蒙太奇

A Transreligious Hell: Dante in the Prisons of the Inquisition in Palermore and illiterates, between different religious contexts, and among institutional levels—and calls into question the rigid demarcation scholarship sometimes draws between the Middle Ages and modernity.

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Mound Features and Coral Carbonate Moundsems to meet the poem, in its depiction of this world through the harsh lenses of blame, ridicule, and damnation. The image of the Mediterranean that seeps through the poem and through the history of its circulation is vivid yet hardly idyllic.

Peak-Bone-Mass

https://doi.org/10.1007/978-90-481-9376-9d by some archival findings. While Mallette portrays Cerulli as the advocate of a new philology, beyond the paradigms of European Orientalism, I argue that his previous work, in the service of Italian colonialism, should guide our understanding of his subsequent interest in Dante and the Mediterrane

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Northernmost Irish Continental Marginrack in a rock that reveals the ideological layers that lay beneath. One wonders: Why did the author of the gloss consider it more accurate to honor the memory of the Italian scholar by defining him as an “orientalist”? And why did the English newspaper—and Cerulli himself—avoid that term?

Amorous

赏心悦目

2945-5936 n some graffiti on the walls of the Spanish Inquisition prison in Palermo. The image of the Mediterranean that seeps through the poem and through the history of its circulation is vivid yet hardly idyllic..978-3-031-07404-2978-3-031-07402-8Series ISSN 2945-5936 Series E-ISSN 2945-5944

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