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Titlebook: Dante and the Mediterranean Comedy; From Muslim Spain to Andrea Celli Book 2022 The Editor(s) (if applicable) and The Author(s), under excl

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书目名称Dante and the Mediterranean Comedy
副标题From Muslim Spain to
编辑Andrea Celli
视频video
概述Examines the Divine Comedy from a Mediterranean studies approach.Revisits Dante and Arabic and Islamic studies in contemporary Europe.Extends the study of the global middle ages
丛书名称The New Middle Ages
图书封面Titlebook: Dante and the Mediterranean Comedy; From Muslim Spain to Andrea Celli Book 2022 The Editor(s) (if applicable) and The Author(s), under excl
描述.In recent decades the concept of Mediterranean has been cited with increasing frequency in relation to the study of medieval literatures. And yet, in what sense would Dante’s Comedy be ‘Mediterranean’? Is it because of its Greek-Arabic and Islamic sources? .Dante and the Mediterranean Comedy. analyzes the ideological function of references to the sea in the study of the Comedy undertaken by Enrico Cerulli, a scholar of Somali-Ethiopian languages, and a colonial governor of ‘Italian East Africa.’ Then it presents novel lines of inquiry on the reception and appropriation of the poem, such as the presence of Islamic sources in early commentaries of the Comedy, and cross-cultural allusions to Dante’s Hell in some graffiti on the walls of the Spanish Inquisition prison in Palermo. The image of the Mediterranean that seeps through the poem and through the history of its circulation is vivid yet hardly idyllic..
出版日期Book 2022
关键词Italian Literature; Dante‘s Divine Comedy; Arabic; Islam; Italian orientalism; Mediterranean studies; glob
版次1
doihttps://doi.org/10.1007/978-3-031-07402-8
isbn_softcover978-3-031-07404-2
isbn_ebook978-3-031-07402-8Series ISSN 2945-5936 Series E-ISSN 2945-5944
issn_series 2945-5936
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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Dante and the Mediterranean Comedy978-3-031-07402-8Series ISSN 2945-5936 Series E-ISSN 2945-5944
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Mound Features and Coral Carbonate Mounds would Dante’s . be “Mediterranean”? By virtue of the bounty of references to this sea, its geography and people, its history, cities, myths, literatures, and religions, through the one hundred cantos? What does Mediterranean mean in this context? Is it linked to the Greek-Arabic sources that inform
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https://doi.org/10.1007/978-90-481-9376-9ter World War II. The use of this notion in medieval literature has occurred most significantly in relation to the hendiadys ‘Dante and Islam.’ The chapter focuses on the multifaceted biography of Enrico Cerulli (Napoli, 1898–Roma, 1988), a governor of the Italian colonies and a scholar of Somali an
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Northernmost Irish Continental Marginmargin of this British newspaper clipping, an anonymous hand—most likely the very same that had cut out the article—added a correction. The first lines of the piece report that “Professor Enrico Cerulli, Italian diplomat and one of the country’s greatest savants and anthropologists, died in Rome on
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https://doi.org/10.1007/978-3-030-94833-7son of the Spanish Inquisition. By considering contextual written references to the . disseminated in graffiti on the same walls, the chapter explores a phenomenon of reception and appropriation of the . in the early-modern Mediterranean. It connects the drawings to medieval and baroque pageants and
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