Titlebook: Dada and Existentialism; The Authenticity of Elizabeth Benjamin Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Avant-Garde

消瘦

Asian Space Race: Rhetoric or Reality?stential potential of these Dada works as part of a wider assessment of the presentation and manipulation of reality. The chapter presents and investigates different approaches to the concept of reality to posit that Dada’s destruction thereof allows for a creative, subjective perception based in the viewer.

独轮车

Militarisation and Weaponisationexternal pressures. Exploring the ways in which the French intellectual scene has indicted the system of societal justice, this assessment posits that Dada and Existentialist trials have sought to highlight the inauthenticity of an objective system that sorts and judges subjective individuals.

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reassessesthe movement as a form of (proto-) Existentialist philosophy. Dada isoften dismissed as an anti-art movement with a merely destructive theoreticalimpetus. French Existentialism is often condemned for its perceived quietistimplications. However, closer analysis reveals a preoccupation with

必死

https://doi.org/10.1057/978-1-137-56368-2Avant-Garde; twentieth century; anti-art; individualist; ethics; society; alienation; freedom; responsibilit

艺术

Infiltrate

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Asian Space Race: Rhetoric or Reality? with French Existentialism based in the individual members’ interests in theory, as well as the ways in which the French Existentialists incorporated Dada into their theoretical texts. From a springboard of Huelsenbeck’s 1957 essay ‘Dada and Existentialism’, this introduction assesses Huelsenbeck’s

终止

Asian Space Race: Rhetoric or Reality?ding much needed focus on the value of this artist’s works as separate from current attention to Taeuber based purely on her biological gender, this chapter evaluates the role of Existentialist choice and individuality through Taeuber’s works that centre on the notion of masking, as well as several

Absenteeism