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Titlebook: D. H. Lawrence, Transport and Cultural Transition; ‘A Great Sense of Jo Andrew F. Humphries Book 2017 The Editor(s) (if applicable) and The

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发表于 2025-3-25 04:44:33 | 显示全部楼层
,‘Yet Underneath was Death Itself’: Transports and Subtexts of War in ,,ity, entrapment and the intrusive mechanization of society. Transport is co-opted in the novel, as it was literally by war, to fulfil society’s apocalyptic and destructive impulses, reflected in the novel’s positioning of mobility as a technological battleground for determining human identity. Humph
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,‘To Turn One’s Back on the Cog-Wheel World’: Transport, Otherness and Revolution in ,,etween invasive technological materialism and primitive cultural revival. Kate’s personal search for new life is interpreted through an engagement with the cultural other as a form of journey or series of iconic journeys towards self-discovery. Her moments of transit privilege and problematize this
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,‘A Vast and Ghastly Intricacy of Mechanism’: Automobility, Disability and the Motor Car in ,,ested. The love between Mellors and Connie Chatterley is positioned at the heart of a struggle for health and revival after the First World War in which a disabled nation turns to mechanization and post-human solutions to define itself as modern. The chapter focuses on perceptions of autonomy and au
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Nirmal Baran Hui,Dilip Kumar Pratihar8), and argues that transport in his fiction reflects the writers’ engagement with an early twentieth century culture in crisis and rapid transition. He discusses how transport not only enframes thehuman journey, but also synthesizes the mechanisms of travel with the dynamics of personal and cultura
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Betzy Varghes,Alamgir Hossain,Keshav Dahalested. The love between Mellors and Connie Chatterley is positioned at the heart of a struggle for health and revival after the First World War in which a disabled nation turns to mechanization and post-human solutions to define itself as modern. The chapter focuses on perceptions of autonomy and au
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