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Titlebook: D. H. Lawrence, Transport and Cultural Transition; ‘A Great Sense of Jo Andrew F. Humphries Book 2017 The Editor(s) (if applicable) and The

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,‘She was a Traveller on the Face of the Earth’: Transport as Female Dissent in ,,lf-destructiveness of such agendas, however, Lawrence liberates transport for Ursula to consider it as a progressive force for cultural renewal, placing twentieth-century woman at the heart of mobility and change.
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,‘Yet Underneath was Death Itself’: Transports and Subtexts of War in ,, trains, tramcars and motor cars but focuses particularly on imagery of boat, ship and submarine manoeuvre to reflect Lawrence’s concern with water and entrapment, which lies at the heart of his personal fear of stasis and of being surrounded by unseen hostility and threat.
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,‘To Turn One’s Back on the Cog-Wheel World’: Transport, Otherness and Revolution in ,, and achieving difference through intercultural and interracial encounter. Transport’s literal as well as mystic properties are interrelated as these worlds—the ancient and the modern—collide in revolution.
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,‘Love Should Give a Sense of Freedom, Not of Prison’: Transport, Male Mobility and Female Space in ns about mobility and empowerment. Humphries refers particularly to train travel and symbolism in this chapter, but also discusses episodes where tramcars and bicycles as well as other forms of motion and mobility play significant parts in the development of the key relationships.
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,Conclusion: ‘Fascinating are the Scenes of Departures’: Etruscan Ships of Death and Lawrencian Endirated simply and oppressively as a hegemony of technological modernity that threatens to eclipse the human. Etruscan burials, which represent death as a form of final transportation, connect to Lawrence’s quest for answers about the mysteries of the human state at a time when his own humanity was about to make that transition into the unknown.
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,‘Love Should Give a Sense of Freedom, Not of Prison’: Transport, Male Mobility and Female Space in close textual discussion the ways in which representations of transport and uses of transportation in . reveal how mechanized industrial society reinforces patriarchy by extending technological access and enhancing male mobility at the expense of female space at a time of shifting gender expectatio
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,‘She was a Traveller on the Face of the Earth’: Transport as Female Dissent in ,,—and Ursula in particular—as they negotiate female travel as a form of dissent against male structures. He argues, however, that transport as the expression of travel and vital flow is problematic. Modern transport increasingly establishes and fulfils female travel independence but threatens alterna
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