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Titlebook: Choreographic Practice in Online Pedagogy; Peter J. Cook Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive licens

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书目名称Choreographic Practice in Online Pedagogy
编辑Peter J. Cook
视频videohttp://file.papertrans.cn/243/242114/242114.mp4
概述Offers insights into how to centre choreographic practice in online dance education.Provides a blueprint for combining the roles of being a teacher, artist, and researcher through embedded practice.Ex
丛书名称Creativity, Education and the Arts
图书封面Titlebook: Choreographic Practice in Online Pedagogy;  Peter J. Cook Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive licens
描述.This book examines a creative approach to exploring choreographic practice artistically, theoretically, and pedagogically. It explores the interweaving of dance, dance teaching, dance onto-epistemologies, and choreography with a particular focus on creating dance with digital technologies. The idea of centring choreography in dance education fundamentally challenges typical conceptions of best practice in the preparation and delivery, appropriateness, and effectiveness of dance performance, teaching and learning experiences. It purposefully privileges creativity as a critical learning paradigm, extending the ways in which creativity studies are enriching performance scholarship as well as performance teaching. The book acknowledges the importance of the artist teacher nexus and presents choreographic practice as the centre of learning in dance, with a focus on digital platforms. .
出版日期Book 2024
关键词dance education; choreographic practice; online pedagogy; dance teaching; creativity in education
版次1
doihttps://doi.org/10.1007/978-3-031-61653-2
isbn_softcover978-3-031-61655-6
isbn_ebook978-3-031-61653-2Series ISSN 2947-8324 Series E-ISSN 2947-8332
issn_series 2947-8324
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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A/R/Tography as Theory, focus of this chapter. A/r/tography acknowledges the interrelationship of artists, researchers and teachers and equally explores the various spaces and possibilities that occur in between. The chapter traces the origins of A/r/tography as being historically situated within poststructuralism, and th
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Initial Ruptures of Choreographic Practice,The development of dance education and the connection to choreographic practice are first considered through European perspectives. Europe is highlighted, at this stage, given its significance as a conduit for codifying dance especially in the development of modern dance. The chapter follows the eme
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The Australian Dance Plateau,heir impact on the development of dance education and choreography. The historiography forms the foundation for a discussion of contemporary Indigenous dance and the emergence of Australia’s leading First Nations’ dance company, Bangarra Dance Theatre. Other important developments, including the Aus
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Theories of Choreographic Practice, 2002; .. Bloomsbury Publishing, 2010), this chapter explores choreographic theory, drawing primarily from American modern dance traditions. It explores the fundamental principles of enacting space, time and dynamics to develop movement vocabulary to communicate meaning. This is represented by chapt
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