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Titlebook: Centaur Art; The Future of Art in Remo Pareschi Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive license to Sprin

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978-3-031-69065-5The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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Remo PareschiProvides a unique exploration of the intersection between human creativity and artificial intelligence in art and design.Introduces “Centauric Creativity,” a new paradigm of artistic creation combinin
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Book 2024amines the implications of the recent developments, offering readers an understanding of how AI can support human creativity rather than replace it. Thus, a compelling vision of the future unfolds, one in which artists and AI collaborate, pushing the boundaries of what is artistically achievable...W
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ow AI can support human creativity rather than replace it. Thus, a compelling vision of the future unfolds, one in which artists and AI collaborate, pushing the boundaries of what is artistically achievable...W978-3-031-69065-5978-3-031-69063-1
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Art and Artificial Intelligence Between Past, Present and Future,nd legal discussions surrounding generative platforms, including notable lawsuits and copyright considerations. Drawing parallels with historical art movements like Mannerism, Surrealism, Cubism, and Andy Warhol’s Factory, we situate AI within the broader context of artistic evolution.
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AI for Games and Art,neural networks, we reveal their mastery in strategic games like chess and their supportive role in the boundless creativity of art. We highlight how the contrast in AI’s application is not solely influenced by technology but significantly by the socio-cultural context, providing a deeper understand
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The Art of Turning Prompts into Art,els and the CLIP neural network in transforming textual prompts into vivid images. Through insights from centauric artist ., we show how nuanced prompts nurture imitative creativity and confront the complexities of depicting intricate spatial relationships. This chapter underscores the integral role
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