Titlebook: Cultures of Memory in the Nineteenth Century; Consuming Commemorat Katherine Haldane Grenier,Amanda R. Mushal Book 2020 The Editor(s) (if a

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German Domestic Pedestrian Tourism and the Rhetoric of National Historical Memory, Empire, and Middlopular uprising against Napoleon, and consequent economic recovery. In tandem, the monarchies of the German states infused their own dominant imperial and military objectives into rhetorical and discursive aspects of pedestrian tourist culture by capitalizing on overlapping visions for a modern Imperial nation state.

Spirometry

The , of Memory: Tracing the Colonial in Contemporary Indiaries, continue to condition the present as well as future. The work of Chopra and Raqs, this chapter also argues, reveals an ambivalence and incompleteness in regard to colonial legacies and modern identity that become apparent through artistic negotiation.

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Autograph Albums and the Commercialization of Memory in the United Statesates. It problematizes the notion of separate spheres, especially in the supposed separation of personal versus commercial, that persists in historical examinations of the nineteenth century. As objects that circulated in the culture of sentimental exchange and memorialization, autograph albums prov

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A Whale Is a Palimpsest: Dismembering and Remembering in , and ring his comrades and his audience to “Read it if you can.” In . (1851) and the lesser-known . (1863) by Scottish novelist R.M. Ballantyne, whalemen read the whale’s flesh like a text to imaginatively “remember” (put back together) its life story while industriously dismembering its body. They read

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Libby Prison War Museum: Site of Commemoration or Commercial Enterpriseuffering. Their captivity narratives and their growing commemorative efforts coincided with other attempts to tell the true history of the Civil War and its prison camps. One of the public spaces of commemoration that appeared as part of this larger effort was the Libby Prison War Museum. Within jus