Titlebook: Cultures of Memory in the Nineteenth Century; Consuming Commemorat Katherine Haldane Grenier,Amanda R. Mushal Book 2020 The Editor(s) (if a

慷慨援助

Supervised Corpus-Based Methods for WSD,rt of a “gift economy” that maintains social bonds, rather than the global fishing economy into which the boy is entering. The influence of Pierre Loti’s . on popular opinion, as well as Vincent van Gogh, is considered.

Irrigate

Whiteness and Class in Educationals a special irony of nineteenth-century American nationalism: the party itself was regarded as outside the American Revolution’s republican legacy even as some of its core ideas came out victorious—though by a different name.

的是兄弟

情爱

Lola Romanucci-Ross,Laurence Tancredi888), Amy Levy’s . (1888), and E. W. Hornung’s . (1911)—this chapter addresses the ways both postmortem and spirit photographs represent memorialization as an ongoing, dynamic interaction with the past—a temporal challenge, in some respects, to the pastness of death.

可用

描述

Nationalist Ironies: The Legacy of the Federalist Party and the Construction of a Unified Republicals a special irony of nineteenth-century American nationalism: the party itself was regarded as outside the American Revolution’s republican legacy even as some of its core ideas came out victorious—though by a different name.

混合

https://doi.org/10.1007/978-1-4020-2757-4 of memory as a political tool; the development of cultures of sentiment, mourning, and memorialization; and the significance of processions, travel itineraries, and newly available technologies and consumer goods through which individuals gave meaning to personal loss and historical events.

Dappled

GREG

When Law and Medicine Meet: A Cultural Viewchapter contextualizes these works within a larger tradition of musical birthday commemorations, public and private, in nineteenth-century Germany and elsewhere and highlights ways in which birthday music of the period resonates with broader cultural trends of the time.

Admonish