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Titlebook: Cultures of Memory in South Asia; Orality, Literacy an D. Venkat Rao Book 2014 Springer India 2014 Chitrassutra.Critical humanities.Cultura

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https://doi.org/10.1007/978-81-322-1698-8Chitrassutra; Critical humanities; Cultural memory; Kavyamimansa; Materiality of memory, body and idiom;
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Poems in MS.L. not Retained in ,he classical debate concerning orality and literacy (from Plato to Stiegler) it points to the historical undermining of embodied mnemocultural traditions in European heritage. The chapter offers a mnemocultural critique of Derrida’s conception of “writing” and Stiegler’s account prosthetics.
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https://doi.org/10.1007/978-1-349-86088-3ir inheritances through embodied and performative memories. While examining their cultivated indifference toward literacy, the chapter emphasizes the absence of any significant impact of literacy on Sanskrit traditions for millennia. Contemporary debates regarding the memory and literacy in the Indi
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Brian Hand,Vaughan Prain,Carolyn S. Wallacelegacy or the modern rearticulation of it in German thought is of any relevance in the context of centuries long Sanskrit “literary inquiries.” While exploring the mnemotexts of Sanskrit traditions, this chapter focuses on the work of Rajasekhara and other Lakshanikas. Derrida’s historical-theoretic
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Donald G. Janelle,Barney Warf,Kathy Hansenrms in European tradition, Sanskrit mnemocultures suspend any such status to narrative; they do not sublimate memory in narratives of self-hood. They spread across through non-narrative strands and are oriented to imparting action knowledges. This chapter concentrates on the . to explore the relatio
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https://doi.org/10.1007/978-1-4020-2352-1c elements that pervade Indian visual culture, this chapter focuses on the cultivated indifference of Sanskrit reflective traditions toward the plastic arts. Drawing on Sanskrit resources (such as . and .) this chapter analyses the relations between symbol, icon, desire, and the body, in order to sh
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