Titlebook: Cultures of Comics Work; Casey Brienza,Paddy Johnston Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 comics.graphic novels

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,: Imagining US–Mexican Cooperation against the Axis Powers in a World War II Propaganda Comicevelt 1927, 114–115). The Clark Memorandum of 1928 claimed that the USA held a self-evident right to defend itself and its political and economic interests. Unsurprisingly, this foreign policy of intervention, used whenever the USA felt its economic and political interests threatened, placed the cou

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Recognizing Comics as Brazilian National Popular Culture: CETPA and the Debates over Comics Professics and culture, such as Samuel Wainer, Edmar Morel, Gilberto Freyre, Roberto Marinho, and Carlos Lacerda, were involved in the debates about comics. Despite the political interests of each of these men (Júnior 2004), their engagement with comics controversies demonstrates that comic art was not well

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To the Studio! , and the Occupational Imaginary of Comics Workimilarly, many fans probably have ideas about what the day-to-day working life of a comics creator is like, but the accuracy of these ideas varies widely. Do they imagine spending hours with pencil and brush at a drawing table, or working on a Wacom tablet with Photoshop or Manga Studio? Do they thi

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The Tail That Wags the Dog: The Impact of Distribution on the Development and Direction of the Ameriistribution is considered to be a mundane activity, and its profound impact on the success (or failure) of comics work is therefore easy to overlook. Comic book historians can better understand and interpret the full richness of the American comic book industry and its history by explicitly incorpor

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Textbook Mar 1994Latest editionevelt 1927, 114–115). The Clark Memorandum of 1928 claimed that the USA held a self-evident right to defend itself and its political and economic interests. Unsurprisingly, this foreign policy of intervention, used whenever the USA felt its economic and political interests threatened, placed the cou

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