Titlebook: Cultures of Comics Work; Casey Brienza,Paddy Johnston Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 comics.graphic novels

翻布寻找

Drawing Fatherhood: The Working Father Figure in the Autobiographical Graphic Novels of Guy Delislen expat father and graphic novelist, while at the same time depicting daily life and political realities in fraught locations. In another series, . (2013–15), he focuses more specifically on fatherhood.

图表证明

Negotiating Artistic Identity in Comics Collaborationexpanding in many directions, absorbing theories and methodologies from many different fields to great advantage, scholars regularly neglect the collaborative nature of comics. It is taken for granted that a “main” creator loads a work with meaning waiting to be activated by readers.

可以任性

执

The Propositional Structure of Perceptions production, I interviewed creators from scenes across Australia. Using primary data from artists in order to understand their ethos is a method frequently utilized within creative identity studies (Hackley and Kover 2007; Wang and Cheng 2010; Taylor and Littleton 2008).

散布

BRIBE

For the Love of the Craft: Industry, Identity, and Australian Comicss production, I interviewed creators from scenes across Australia. Using primary data from artists in order to understand their ethos is a method frequently utilized within creative identity studies (Hackley and Kover 2007; Wang and Cheng 2010; Taylor and Littleton 2008).

温室

Between Art and the Underground: From Corporate to Collaborative Comics in Indiaility of creators to make a living from their work. Furthermore, there is little space for an active and critical community in corporate production. Accordingly, contemporary comics creators, editors, publishers, and many of their readers have recently begun to take a different approach toward creativity.

NAV

colostrum

The Case of the Missing Author: Toward an Anatomy of Collaboration in Comics as either a valueless imitation or a forgery. Even people who cannot afford a David Hockney work have some stake in its authenticity, otherwise interviewers like Matthew Cain would not ask questions about it. It is a relief that Hockney “made all the marks.”

丛林

2634-6370 contemporary cultural production.Combines international and.This anthology explores tensions between the individualistic artistic ideals and the collective industrial realities of contemporary cultural production with eighteen all-new chapters presenting pioneering empirical research on the complex