Titlebook: Culture, History, and the Reception of Tennessee Williams in China; Shouhua Qi Book 2022 The Editor(s) (if applicable) and The Author(s),

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https://doi.org/10.1007/978-1-349-19501-5s. It focuses on important questions of which of Williams’ dramatic works get translated, why, and how, especially in terms of speaking the unspoken and the unspeakable in China’s sociopolitical life through translation of Williams works, pushing the boundaries of sexual mores, and over/under/mistra

Panther

Who Cares? Women at Work in Social Services,and the serious albeit still cautious interest in the early 1990s to the enthusiastic deep dive undertaken by aspiring scholars in the first two decades of the twenty-first century, equipped with various critical lenses, for example, psychoanalysis, gender and politics, as exemplified by the dozen o

cylinder

Women in Society: A Feminist Listince the late 1800s. From trying to understand the perplexing complexity of Blanche Dubois and such psychological, sociocultural, and economic migrants and outcasts as American “other” to highlighting the humanness of the modern tragedy and embracing them as amongst “us,” Chinese staging of Williams

inscribe

相同

Conclusion,Chapter . concludes the study with a forward look not only of the reception of Tennessee Williams in China in the years ahead, but also, more importantly, of Western arts and literature in general, including drama/theatre, especially in light of the marked tightening of sociocultural and ideological control since the mid-2010s.

相同

Shouhua QiAnalyzes the shifting reception of Tennessee Williams in China after the 1980s.Expands international Williams scholarship.Contributes to the growing global performance studies field

抗体

有发明天才

Introduction, cultural context, and the critical perspectives drawing from translation studies, comparative drama and comparative literature, and adaptation studies that inform the research and help frame the discussions.

GLUE