Titlebook: Culture and the Media in the USSR Today; Julian Graffy (Lecturer in Russian Language and Li Book 1989 School of Slavonic and East European

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Amines, Amino Acids and Diazonium Salts,y journals. The two currently most exciting journals, . and ., have been utterly rejuvenated by their new chief editors. The veteran writer, Sergei Zalygin, has been editor-in-chief of . since the issue for October 1986. At the beginning of 1987 he brought on to the editorial board the journalist an

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Culture and the Media in the USSR Today978-1-349-20106-8Series ISSN 2946-868X Series E-ISSN 2946-8698

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Reaction Mechanisms: Basic Principles,ed, perhaps decisively, to their victory over rival parties and movements in 1917–21,. and they have never abandoned the priority they accorded then to communication with the public. To this end they have made use of every means modern technology affords — newspapers, radio, cinema, television — to project information, outlook and ideology.

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Introduction,ed, perhaps decisively, to their victory over rival parties and movements in 1917–21,. and they have never abandoned the priority they accorded then to communication with the public. To this end they have made use of every means modern technology affords — newspapers, radio, cinema, television — to

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,Soviet Television and Glasnost’, committee with the special task of overseeing the work of the broadcasting media but the nature of the connections between Gosteleradio and the Party is not always clear. Suffice it to say that the Chairman of the Committee, A. Aksenov, is also a member of the Party Central Committee. The organisat

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The Cinema,erilous experiment. For the first time since it was fully centralised and given heavy state subsidy under Boris Shumiatskii’s leadership in the early 1930s, it faces the daunting prospect of justifying its existence by paying its way — or rather, since the cinema has always been a net contributor to

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,Soviet Theatre: Glasnost’ in Action — with Difficulty,85, some knowledge of its previous state, in particular the legacy of Stalinism, is essential. Under Stalin’s rule the innovative, avant-garde brilliance of the 1920s quickly faded into total extinction. Stalin’s method of controlling — or rather manipulating — the arts and sciences was to set up on

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