Titlebook: Culture and Power in Revolutionary Russia; Christopher Read Book 1990 Palgrave Macmillan, a division of Macmillan Publishers Limited 1990

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The Making of the Russian Intelligentsia,ir ultimate goal was to reshape human nature, or, more precisely, to release it from the pressures that were distorting it. Freed from the tyranny of the ruling class and its enslaving fetish of private property, people would begin to live, for the first time, free and integrated lives. The revoluti

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The Bolsheviks and Cultural Life during the Civil War,ng those of its members in and close to the party at this time. In part, the root of the ambiguity and complexity is the same in that the desperate conditions of civil war deflected the attention of the powerful into more pressing questions of survival. This left something of a vacuum in which those

Engaged

Laying the Foundations of Cultural Power,n called a ‘golden age of Marxist thought’.. A ‘soft’ line on culture has been identified.. The period has been referred to as ‘NEP in culture’.. Compared with what came after, the 1920s were more tolerant — it would have been hard for them to be less so — but compared with the civil war the picture

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https://doi.org/10.1007/978-1-349-09277-2trol, and the receding prospect of restoration or counter-revolution from within, there was space for a less direct confrontation, particularly since, having acquired the commanding heights of culture, there was no need to prolong the bombardment. Instead, a policy geared towards winning over, rathe

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The Bolsheviks and Cultural Life during the Civil War,had a very low priority in the party in these years, developments were taking place that played a major role in moulding the shape of party policy towards cultural issues in later years. These developments were focused on three institutions: The Proletarian Cultural-Educational Association (Proletku