Titlebook: Cultural and Creative Mural Spaces; Community, Culture a Virginia Santamarina-Campos,Eva-María Martínez-Car Book 2021 The Editor(s) (if app

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https://doi.org/10.1007/3-540-28877-5e main centre of creation. Famous artists such as Miguel Ángel Pareja, Leopoldo Novoa, Lincoln Presno or Edwin Studer, among others, were part of the abstract trend, however, the majority are renowned for belonging to the discipline of painting, not muralism. Analysing bibliographies, documents and

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Inspiration: From the Andes to the Mekongh a radical and political (non-partisan) purpose, fully engaged with the popular social sectors. Even before the reform of its study plan in the 1960s, it became a centre of research in mural art at the Mosaic Laboratory, led by Miguel Ángel Pareja, a germ that gained space and developed through uni

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Cambodia and the Banking Systemces, which aims to bring art and culture towards society, encouraging, among other things, a process of cultural democratisation and identification. After analysing primary and secondary sources obtained by SFUCM, three trends were found in this mural style: a regionalisation process, a beautificati

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Inspiration: From the Andes to the Mekongtwenty-first century, conducting a study from the 1930s to date. We explain the current problems in Uruguayan muralism, such as a lack of knowledge between cultural institutions and the absence of conservation and tourist planning, among other things. Many important murals have disappeared as a resu

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https://doi.org/10.1007/3-540-28877-5da and the United States, which all include different kinds of murals in their cities that show many features of their history, culture, politics, and even their education or advertising. Other small countries also have a mural heritage to preserve and present to their visitors. This work focuses on

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Confidence: The “Flywheel” Turnsny proposals for festivals organised by both the public administration and by private organisations, where aesthetic actions are promoted on a large scale. The oldest are the Biennale of the Painted Wall in Dozza (Italy), active since 1960; the Arts Festival of Asilah town in Morocco, since 1978; an

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To Play by the Rules of the Gameis not an isolated case, however, as we find many similar cases across the world. Mural art has evolved from having an elite audience to more popular objectives, but without losing the need for highly valued artists who, not only technically but also conceptually, will be able to connect to the audi