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Titlebook: Cultural Heritage in a Changing World; Karol Jan Borowiecki,Neil Forbes,Antonella Fresa Book‘‘‘‘‘‘‘‘ 2016 The Editor(s) (if applicable) an

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发表于 2025-3-21 20:05:04 | 显示全部楼层 |阅读模式
书目名称Cultural Heritage in a Changing World
编辑Karol Jan Borowiecki,Neil Forbes,Antonella Fresa
视频video
概述Unique insights on the future of cultural heritage and digitization.Recalibrates the relationship between institutional and individual cultural heritage practices.Targets researchers as well as policy
图书封面Titlebook: Cultural Heritage in a Changing World;  Karol Jan Borowiecki,Neil Forbes,Antonella Fresa Book‘‘‘‘‘‘‘‘ 2016 The Editor(s) (if applicable) an
描述.The central purpose of this collection of essays is to make a creative addition to the debates surrounding the cultural heritage domain. In the 21st century the world faces epochal changes which affect every part of society, including the arenas in which cultural heritage is made, held, collected, curated, exhibited, or simply exists. The book is about these changes; about the decentring of culture and cultural heritage away from institutional structures towards the individual; about the questions which the advent of digital technologies is demanding that we ask and answer in relation to how we understand, collect and make available Europe’s cultural heritage. Cultural heritage has enormous potential in terms of its contribution to improving the quality of life for people, understanding the past, assisting territorial cohesion, driving economic growth, opening up employment opportunities and supporting wider developments such as improvements in education and in artistic careers. Given that spectrum of possible benefits to society, the range of studies that follow here are intended to be a resource and stimulus to help inform not just professionals in the sector but all those with
出版日期Book‘‘‘‘‘‘‘‘ 2016
关键词Creativity; Cultural Economics; Cultural Heritage; Digital Heritage; Heritage
版次1
doihttps://doi.org/10.1007/978-3-319-29544-2
isbn_softcover978-3-319-39072-7
isbn_ebook978-3-319-29544-2
copyrightThe Editor(s) (if applicable) and the Author(s) 2016
The information of publication is updating

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The Museum as Information Space: Metadata and Documentationfunction as an institutional entity on the Internet, for in this new information space, objects, collections and museums, all function as independent components in a vast universe of data, side by side at everyone’s disposal at anytime. Potentially, users can access cultural heritage anytime, anywhe
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The Museum of Gamers: Unmediated Cultural Heritage Through Gamingnow available everywhere, people expect a new normal from museums besides mere objects and explanatory texts next to them. As the emblematic medium of contemporary societies games offer engagement methods. Recent marketing strategies such as loyalty games and gamification prove that use of technolog
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Change of Museums by Change of Perspective: Reflecting Experiences of Museum Development in the Contich encourages multi-layered meanings in museum objects to become more visible, aiming to renegotiate the roles of museum experts and visitors and to strengthen international networking between heritage institutions in order to broaden national perspectives on heritage and overcome Eurocentric views
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The Place of Urban Cultural Heritage Festivals: The Case of London’s Notting Hill Carnivalntral to the transmission of tradition. The ephemerality of festivals, as well as the inconvenience, expense, and gentrification-effects to which such large scale events can contribute, has led to questions about their ability to sustain community cohesion and socio-economic wellbeing. Drawing on th
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The Spanish Republican Exile: Identity, Belonging and Memory in the Digital World the foundations, for the first time, for the study of the memory of the exile in the digital domain. We start by recounting the burgeoning creation of websites and social media groups devoted to the republican exile, from 1998 to 2015, and link it with both contemporary Spanish political events and
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Redefining Sustainable Livelihoodswe show how creative work in mixed teams of performance artists, researchers and practitioners on the one hand, and researchers from technology and design-focused disciplines on the other, is instrumental to the development of what we call ‘interdisciplinary artscapes’ and ‘interdisciplinary knowled
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