Titlebook: Cultural Heritage in a Changing World; Karol Jan Borowiecki,Neil Forbes,Antonella Fresa Book‘‘‘‘‘‘‘‘ 2016 The Editor(s) (if applicable) an

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Youna Kima new concept for galleries, libraries, archives and museums (GLAMs). Pointing to a new future for libraries, Negroponte was already aware that being digital had its own reality, which was to create ambiguity in relation to the value of physicality or pure materiality, a reality that the world had b

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Youna Kimeneral population is aware of this fact, cultural heritage is still underexplored and cultural activities are not incorporated into citizens’ lifestyle. Technology offers a potential to increase awareness about cultural offerings and create a public engagement with Culture. The current digital solut

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Pam Nilan Moreover, the increasing role of culture in city making has rendered them spaces of consumption, entertainment, pleasure, and festivity. Large European events such as London’s Notting Hill Carnival, Berlin’s Carnival of Cultures, and the Rotterdam Summer Carnival attract huge global audiences. Desp

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ally created by exile descendants’ associations, research groups or private individuals. The recent growth of social networks, especially Twitter and Facebook, has simplified the exchange of this information and allowed the culture of the Republican exile to spread through the Internet and beyond, a

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has been undermined, since the 1980s until now China has entered a phase of rapid economic development, but the development of culture and education has not always equally kept pace. Universal education is still a problem for China, and Chinese tradition risks becoming a ‘relic’. Now, we want to reb

Ptosis

https://doi.org/10.1007/978-3-319-29544-2Creativity; Cultural Economics; Cultural Heritage; Digital Heritage; Heritage

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978-3-319-39072-7The Editor(s) (if applicable) and the Author(s) 2016