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Titlebook: Cultural Goods and the Limits of the Market; Russell Keat Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Limited 2000 br

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https://doi.org/10.1057/9780312299545and healthcare institutions, and also those which might broadly be termed . in character, including broadcasting, the various arts, academic research and so on. It is with these ‘cultural’ institutions that I shall primarily be concerned, though some of what I have to say may have wider application.
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Introductionand healthcare institutions, and also those which might broadly be termed . in character, including broadcasting, the various arts, academic research and so on. It is with these ‘cultural’ institutions that I shall primarily be concerned, though some of what I have to say may have wider application.
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Citizens, Consumers and the Environment: Reflections on who none the less wish to deal with them by applying, in a suitably extended form, the conceptual framework of neo-classical economic theory to situations where the market itself fails to operate satisfactorily.
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Consumer-Friendly Production or Producer-Friendly Consumption?ition of income and its deployment in consumption. But if this is so, he suggests, it points to a fundamental defect in the market. Market economies, he argues, are . economies: they tend inherently to prioritize consumer-satisfactions over producer-satisfactions. In doing so they sacrifice greater goods for lesser ones.
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the introduction of commercially modelled forms of organization in areas such as broadcasting, the arts and academic research. Drawing on Walzer‘s pluralistic conception of social goods, and MacIntyre‘s account of social practices, he argues that cultural activities of this kind, and the institutio
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