Titlebook: Cultural Goods and the Limits of the Market; Russell Keat Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Limited 2000 br

attenuate

aptitude

Fallibility

https://doi.org/10.1057/9780312299682organization. But even were the market to emerge victorious in this theoretical contest, there would remain a further set of issues to be addressed. These concern its proper scope or range of application: where, and on what grounds, are the lines to be drawn between those social practices that prope

偶然

The Race Trope in Swing Era Performanceods are produced. The question then arises of how these institutions manage to do this — by means of what devices and mechanisms, relying on what sorts of motivations and social relationships — and with what degrees of success. There is no reason to assume that the answers to these questions of ‘ins

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The Race Trope in Swing Era Performanceto dispense with this altogether, one must clearly avoid using arguments which would actually imply its total rejection. For example, if one argues that cultural institutions should be protected from the market because of the damaging effects upon them of ‘consumer sovereignty’, one must show why it

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Haphazard

The Race Trope in Swing Era PerformanceIs it possible for economic production conducted in a market system to possess the character of a ., as MacIntyre defines this concept in .?. Clearly, MacIntyre himself thinks not. I shall argue that there are reasons for doubting this judgement, and hence for a more optimistic view of the possible relations between markets and practices.

phytochemicals

Markets, Firms and PracticesIs it possible for economic production conducted in a market system to possess the character of a ., as MacIntyre defines this concept in .?. Clearly, MacIntyre himself thinks not. I shall argue that there are reasons for doubting this judgement, and hence for a more optimistic view of the possible relations between markets and practices.