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Titlebook: Csound; A Sound and Music Co Victor Lazzarini,Steven Yi,Iain McCurdy Textbook 2016 Springer International Publishing Switzerland 2016 Compu

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History: Music Gives Voice to the Ineffable,ions dealing with the basic methods of fixed and variable delays, filtering and spatial audio. Code examples are provided implementing many of the techniques from first principles, to provide the reader with an insight into the details of their operation.
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Granular Synthesisrecorded sound. Several classic types of granular synthesis are known from the literature, originally requiring separate granular synthesis engines for each type. We show how to implement all granular synthesis types with a single generator (the partikkel opcode), and a parametric automation to do morphing between them.
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Textbook 2016ins the system, including the basic modes of operation and its programming language; it explores the many ways users can interact with the system, including the latest features; and it describes key applications such as instrument design, signal processing, and creative electronic music composition.
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Tears, Chills and Broken Bones,ective of the various related techniques that make up this family, with ready-to-use UDOs for each one of them. Finally, we introduce the principle of additive synthesis, with examples that will link up to the exploration of spectral techniques in later chapters.
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Control of Flow and Schedulingduling is introduced, and the supports for event duration control are outlined, together with an overview of the tied-note mechanism. The text is completed with a discussion of instrument reinitialisation.
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Textbook 2016.The Csound system has been adopted by many educational institutions as part of their undergraduate and graduate teaching programs, and it is used by practitioners worldwide. This book is suitable for students, lecturers, composers, sound designers, programmers, and researchers in the areas of music, sound, and audio signal processing..
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