Titlebook: Cross-Gendered Literary Voices; Appropriating, Resis Rina Kim (Lecturer),Claire Westall (Lecturer) Book 2012 Palgrave Macmillan, a division

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https://doi.org/10.1007/978-3-86226-953-2h gender in fiction and the underlying sexual conflict. Murdoch’s work is often viewed as exclusively concerned with moral realism. It is only in recent years that the dearth of criticism connecting Murdoch’s fiction with the themes of gender and power relations has begun to be rectified. Tammy Grim

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Untersuchungsaufbau und Methodesexual violence and gendered performance. As Joseph Bristow and Trev Broughton suggest, her work anticipated many of the feminist concerns of the 1990s as well as the formation and fashionability of gender and queer studies (1997: 14). It also substantially preceded transgender studies and interest

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,Umwelteinflüsse und Allergene,istorical as literature — relies upon a variety of textual and narratological motifs and tricks in order to play at convincing its readers of the authenticity and authority surrounding the fiction they are reading.. Such encounters between fabrication and fiction and the factual performativity impli

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https://doi.org/10.1007/978-3-86226-962-4s historical engagement with working-class lesbian life and, one might argue, can be read as an attempt to validate an existence that has consistently been written out of the pages of history. Although same-sex relationships between women are documented, Alison Oram is quite right when she suggests

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the present, examining where, how and why such gendered crossings occur and what connections may be found between these crossings and specific psychological, social, historical and political contexts.978-1-349-33553-4978-1-137-02075-8

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Female Narrative Energy in the Writings of Dead White Males: Dickens, Collins and Freude Collins. I will argue that creating a sustained dialogue between the two novelists and the psychoanalyst opens up a far more radical space than has previously been located in the male-authored Victorian novel. By conceiving of narrative as a powerful possession, as Freud did in his discourse with