Titlebook: Critiquing Violent Crime in the Media; Maria Mellins,Sarah Moore Textbook 2021 The Editor(s) (if applicable) and The Author(s), under exc

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https://doi.org/10.1007/978-3-7091-4484-8olent events. Based on an in-depth reading of . (De Lestrade 2004–2018) and Season One of the podcast . (Koenig, 2014), the chapter draws upon theoretical work on seriality and hauntology to explore the use of reenactment, doubling, rediscovery, and reinvestigation. I argue that ‘true crime’ documen

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https://doi.org/10.1007/978-3-7091-4484-8les. London. 2019. .). Stalking is a crime that can affect anyone and has significant impacts on victims-survivors; it has been described as ‘emotional rape’ and ‘psychological terrorism’ (Suzy Lamplugh Trust. 2020. .. Accessed 3 January 2020.). In high-risk cases, stalking can result in murder and

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https://doi.org/10.1007/978-3-7091-4484-815–2016), . (2019), and . (2011–2019). It sets out an account of the ways in which non-fiction accounts of serial killers operate as antecedent texts in the fictional narrative. In remediating non-fiction accounts for the medium of TV crime and horror series, these dramas overtly draw on a range of